Lucio Fulci could hardly be described as the most lucid filmmaker of Italian horror, but even by his defiantly illogical standards, The House By The
Tag: Film Review
The Way Of The Dragon (1972) – Review
When Bruce Lee tragically passed, we didn’t just lose a martial arts superstar and a cinematic legend, but we also were cheated out of the
The Equalizer 3 (2023) – Review
I’ve said it before and I’ll say it again: of all the distinguished actors who decided to hop aboard the aging action hero train, Denzel
The Prestige (2006) – Review
According to Christopher Nolan’s underrated magician-at-war film, The Prestige, there are three aspects to every magic trick: The Pledge, The Turn and The Prestige. Fittingly,
The Rage: Carrie 2 (1999) – Review
When Hollywood puts its iron will to it, there really isn’t anything it can’t sequelize; take the existence of The Rage: Carrie 2 for example.Anyone
Lake Placid 3 (2010) – Review
Do you know, I don’t think I’m ever going to understand the SyFy Channel’s obsession with churning out endless, cheap, killer animal movies for as
Tetsuo II: Body Hammer (1992) – Review
There’s been a long and storied history of young, visionary directors who chose to semi-remake their rough-looking, low budget debuts with more cash and experience
The Blackening (2022) – Review
One of the most notorious tropes of cinema is that of the black character either dying first, or, at the very least, not making it
Evolution (2001) – Review
The special effects comedy is a notoriously tough beast to pull off. Essentially perfected by Ghostbusters back in 1984, filmmakers have been trying to sniff
Invasion Of The Body Snatchers (1956) – Review
Of all the shifty, manipulative and duplicitous aliens ever to take a punt at taking over the world during the heyday of 50s science fiction,
Haute Tension (2003) – Review
Anyone in the know would tell you: don’t fuck with New French Extremity because it would most likely fuck you back.Linked to the New Extremity
Equilibrium (2002) – Review
In the wake of The Matrix, it was unsurprisingly fair game for any kind of action/sci-fi that clothed its anti-establishment leanings in long black coats
The Gift (2000) – Review
Sandwiched between his earlier, gonzoid classics and his later, bigger budgeted, superhero phase, Sam Raimi had, what could be called his “sensible period”. Easing back
Blue Beetle (2023) – Review
The DCEU, at the current time of writing, is possibly in the greatest state of flux any long-running connected cinematic universe has ever been in.
Exorcist: The Beginning (2004) – Review
I don’t know about you, but to me it seems like any attempt to sequelize William Friedkin’s seminal horror titan is destined to be as
Blood And Black Lace (1964) – Review
While Dario Argento is rightfully credited as the uncontested ruler of the slash-tastic murder mystery genre known as Giallo, one of the vital creators of
Nemesis 5: The New Model (2017) – Review
After twenty years of laying dormant, the long forgotten Nemesis suddenly came back on-line and lurched into life. Quite why it decided to do so
Heart Of Stone (2023) – Review
Yep, another day, seemingly means yet another Netflix action/spy thriller led by a superhero actor lands on the streaming site only a short time after
Anacondas: The Hunt For The Blood Orchid (2004) – Review
No one ever goes sets out to make a bad sequel – or at least, I hope not. Oh sure, the money men probably can’t
The Victim (1980) – Review
I don’t know about you, but I could watch portly Kung Fu legend, Sammo Hung, play his trade all day. Be it the movies he
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