Marvel Studios has been known to take big swings at risky ideas in the past, but due to the still heart-rending passing of Chadwick Boseman,
Tag: Film Review
Twins Of Evil (1971) – Review
After lesbian tinged The Vampire Lovers and Lust For A Vampire, Hammer Films closed out their lusty Karnstein Trilogy with Twins Of Evil, an apparent
Hands Of The Ripper (1971) – Review
Hammer Films was chiefly renowned for their revolutionary contributions to the horror genre, but when they weren’t slapping a new coat of paint on such
The Mummy (1959) – Review
After retro-fitting and updating such classic characters as Frankenstein and Dracula with more modern (for the 50’s anyway) sensibilities, it was a shoo-in that Hammer
Looper (2012) – Review
Before the resplendent debut of the drawling Benoit Blanc in Knives Out and even the crowd dividing majesty of The Last Jedi, Rian Johnson was
Executive Decision (1996) – Review
Some films just age weird.Some simply have some social norms and behaviours that have regrettably aged like milk while others find that their plots end
Memoirs Of An Invisible Man (1992) – Review
At the time it was released, virtually forgotten, 90’s sci-fi comedy Memoirs Of An Invisible Man was criticised that maybe John Carpenter wasn’t exactly the
The Munsters (2022) – Review
Whenever a filmmaker tackles a favorite property from their personal life, they’ll more often than not find themselves walking a tightrope thinner than a pube
Prey For The Devil (2022) – Review
If I’m being honest, in the wake of William Friedkin’s seminal 1973 classic, The Exorcist, I’ve always found exorcism movies to be incredibly samey and
Pearl (2022) – Review
Back at the beginning of the year, Ti West returned to horror and blessed us with X, a 70’s set slasher that took an overfamilar
Barbarian (2022) – Review
One of the most pleasurable experiences of being a horror fan is to run into a new film that tears up the rule book and
Father’s Day (2011) – Review
Since 1974, Troma Entertainment has strived to put out the best in voraciously un-PC content it possibly can on as little money as possible and
Sleepy Hollow (1999) – Review
After his crazed satire Mars Attacks! crashed and burned at the box office and his proposed Superman movie flew headlong into the sun, Tim Burton
Prince Of Darkness (1987) – Review
John Carpenter’s always been a very meat and potatoes auteur, content to have his concepts laid out in an easy to digest way thanks to
Rollerball (2002) – Review
I don’t think I’m saying anything too groundbreaking here (hey, when do I ever?), but one of the primary issues with the majority of modern
Black Adam (2022) – Review
So after being officially cast as Black Adam back in 2014 (!?), Dwayne Johnson finally makes his DCEU debut as the morals-free, anti-Shazam with the
Death Race (2008) – Review
It’s a common fact that when anyone feels the need to defend the patchy career of Paul W.S. Anderson, they’ll slap a mention of Event
The People Under The Stairs (1991) – Review
With a filmography that contains razor-fingered dream demons, desert dwelling cannibal clans and ghost-faced pop culture maniacs, it’s a legitimate shame that more positive press
The Frighteners (1996) – Review
Between Peter Jackson’s origins with his homegrown, DIY, gore comedies and his cinema conquering days thanks to the herculean task of realising The Lord Of
Blood From The Mummy’s Tomb (1971) – Review
As the production line of Hammer Films trundled on provide its audiences with their fourth and final Mummy pic, a rash of behind the scenes
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