If your thriller features more twists and turns than a truck full of Fusilli barreling down a winding country road in the dead of night,
Tag: Film Review
Violent Night (2022) – Review
God, I love a brutal Christmas movie. You know the ones, the films that still manage to give you a warm glow with yule tide
Troll (2022) – Review
The concept of other Kaiju movies that exist outside Japan isn’t exactly a new one – in fact, not only does The Beast From 20,000
Dracula: Prince Of Darkness (1966) – Review
Sometimes the path of a franchise is never a straight line and in the world of crafting a worthy sequel, telling a continuing story is
Body Bags (1993) – Review
Sometimes work doesn’t have to be work, y’know, and it’s always nice every now and then to blow off some steam by screwing around with
Pearl Harbor (2001) – Review
To this day, “Bayologists” (the term for the nonexistent scientists I just made up who study the works of Michael Bay) still aren’t entirely sure
The Menu (2022) – Review
For some of us, food isn’t just something you just shovel into your pie hole in order to fuel us as we gradually transform it
Shin Ultraman (2022) – Review
To paraphrase Ron Burgundy, Ultraman’s kinda a big deal – and yet despite being consistently popular in his native Japan thanks to his TV show
The Evil Of Frankenstein (1964) – Review
As Hammer continued to churn out lavish horror flick after horror flick during the swinging sixties, one thing that seemed conspicuous by its absence was
Bones And All (2022) – Review
There’s a long, storied, tradition of loved-up couples engaging on winding, rambling road trips while regularly stepping outside of the law in order to survive
Glass Onion: A Knives Out Mystery (2022) – Review
Emerging from the seemingly never ending critical chaos after the release of The Last Jedi, Rian Johnson recovered with style by turning around and casually
Terrifier 2 (2022) – Review
Ever since he took his full length feature bow in 2016 after his debut in Halloween-themed anthology All Hallow’s Eve three years earlier, gore-happy mime,
The Brides Of Dracula (1960) – Review
When the concept of endless horror sequels became in vogue and studios wanted to resurrect a franchise worthy character, they’d either bend over backwards to
Eight Legged Freaks (2002) – Review
Thanks to streaming, direct-to-DVD entries and entities like the Syfy Channel once seemingly churning out similar themed movies at a frightening rate, the onslaught of
True Lies (1994) – Review
Never let it be said that James Cameron isn’t a man who doesn’t test his limitations – and I’m not just talking about him bankrolling
Red Eye (2005) – Review
After a career boost he enjoyed thanks to a trilogy featuring a certain ghost faced, pop culture obsessed slasher, Wes Craven’s career seemed to be
A History Of Violence (2005) – Review
It may be a slightly immature take, but I’ve always gravitated more towards David Cronenberg’s earlier, genre work than his later, more… well, not conventional
The Ward (2010) – Review
It had been about ten years since John Carpenter last directed a feature and his self-imposed retirement had been born of him finally losing his
The Island (2005) – Review
After the frantic chaos of Bad Boys II, there was something of a question as to where Michael Bay would go next after a career
Terrifier (2016) – Review
If there’s one thing the modern horror genre is lacking is a truly endearing antagonist that really captures the imagination of the masses. I mean
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