There’s something that hits a little different when you watch a gunfight orchestrated by the maestro of mayhem known as John Woo. For a start,
Tag: Hong Kong
Fist Of Fury (1972) – Review
Sometimes film distributors really know how to screw things up. In the strange world of alternate titles, where the very name of a movie can
The Seventh Curse (1986) – Review
Ever wonder what would have happened if a time traveler went back and accidentally stepped on a bug, causing an alternate reality where Sam Raimi
The Fearless Hyena (1979) – Review
After years of honing his particular brand of Kung fu laced with broad physical comedy in such flicks as Snake In The Eagle’s Shadow and
The Killer (1989) – Review
After the literal smoke had cleared from the iconic climax of A Better Tomorrow II, it seemed that action maestro John Woo was poised to
Drunken Master (1978) – Review
When Jackie Chan and Woo Ping Yuen released Snake In The Eagle’s Shadow onto an unsuspecting public back in 1978, it was only to the
The Young Master (1980) – Review
With his second directorial effort, we find injury prone, action/comedy deity immortal, Jackie Chan winding ever closer to kung-fu nirvana with his game changing masterpiece,
A Better Tomorrow II (1987) – Review
Those who have seen the original A Better Tomorrow would surely concur that that although it contained many of John Woo’s signature themes, it hadn’t
A Better Tomorrow (1986) – Review
These days, the many themes and visual tricks of action maestro John Woo are incredibly well known as his frenetic, slow motion gunplay, religious iconography
The Wicked City (1992) – Review
One of the most fascinating ways to compare the differences in the way American movies approach their storytelling when put alongside their global counterparts is
Bullet In The Head (1990) – Review
Those of you familiar with the Hong Kong output of action maestro John Woo – before he moved to the States and gave us Broken
Dragons Forever (1988) – Review
Jackie Chan, Sammo Hung and Yuen Biao are three martial arts heavyweights who were instrumental in revolutionizing Hong Kong action cinema in the 80’s and
Police Story (1985) – Review
Is there a more enduring, living icon in martial arts cinema than Jackie Chan? He’s spent decades regularly sacrificing every bone and sinew in his
Encounters Of The Spooky Kind (1980) – Review
Those of you unfamiliar with the industry changing works of Sammo Hung outside of that late 90’s show Martial Law is missing a treat. Hung
Hard Boiled (1992) – Review
While no doubt conjuring images to the uninitiated of a documentary about egg preparation, those of you who only know Hong Kong action maestro John
Mr. Vampire (1985) – Review
Sometimes, to REALLY explore what a sub-genre can do, you have to go elsewhere from the norm; not that there’s much normal about the vast