After launching their particular brand of Hammer-alternative horror films with Dr. Terror’s House Of Horrors, Amicus honchos Milton Subotsky and Max Rosenberg decided that sticking
Tag: Horror
Dr. Terror’s House Of Horrors (1965) – Review
While Hammer Films is understandably credited as the leading light in British horror during its impressive reign, that’s not to say they were the only
Tales From The Crypt (1972) – Review
No one could quite line ’em up and knock ’em down like an EC Comics story, those gloriously nasty comic book morality tales that hit
The Devil’s Rain (1975) – Review
Oh sure, the horror subgenre known as Satanic Panic may have made a bit of a resurgence in the last couple of years with Exorcist
The Return Of Count Yorga (1971) – Review
In the annals of iconic Vampire beings, there’s only a few big names that truly stand out. There’s Count Orlork of course; there’s obviously the
Warlock (1989) – Review
Sometimes, time casts the most bewitching spell of all, casually erasing movies that maybe didn’t get the fairest shake of the whip when they were
Night Of The Demons 3 (1997) – Review
While less kind critics would probably dismiss Kevin Tenney’s Night Of The Demons as nothing more than a hokey, lesser, Evil Dead clone, the 1988
Winnie The Pooh: Blood And Honey II (2024) – Review
I guess as someone who grew up in the 80s, I should be utterly unfazed by thr arrival of any unnecessary horror sequels, but even
Longlegs (2024) – Review
It happens approximately around once a year. You’ve all seen it, that quote on the year’s most anticipated horror film that usually reads something like
Count Yorga, Vampire (1970) – Review
Thanks to the iconic efforts of both Universal Studios and Hammer, the domain of the Vampire had comfortably been established since the 30s as lush
Night Terrors (1993) – Review
There’s a common belief that the quality control of Tobe Hooper took a brisk march off a cliff after the release of his blockbusting, Spielbergian
The Gorgon (1964) – Review
While it’s hardly fair to say that Hammer Studios only made endless adventures featuring the antisocial exploits of Peter Cushing’s Frankenstein and Christopher Lee’s Dracula,
The Burning (1981) – Review
1981 was something of a banner year for the slasher film that not only saw the first of many Friday The 13th and Halloween sequels,
In A Violent Nature (2024) – Review
Much like the hulking, masked marauders that lurk within, the 80s slasher genre was something of a simplistic engine of destruction that moved inexorably toward
Maniac (2012) – Review
During an interview held sometime after the release of the 1998, meta sci-fi flick, The Faculty, director Robert Rodriguez stated that he’d love to cast
Night Of The Demons 2 (1994) – Review
Compared to the ballsy, brassier days of 80s horror, fear flicks of the 90s that actually made it to the cinema usually seemed a bit
A Quiet Place: Day One (2024) – Review
When John Krasinski’s soft-soft-LOUD dystopian horror/thriller first landed in cinemas, audiences found there was plenty to shout about at this tale of a family struggling
Stopmotion (2023) – Review
Anyone who has even caught a hint of the less child-orientated offerings that the art of stop motion animation has unleashed, knows that the animators
The Exorcism (2024) – Review
When most successful actors hit their middle-age these days, they seem to take the Liam Neeson approach to acting and suddenly become a grizzled action
Videodrome (1983) – Review
“You’ll forgive me if I don’t stay around to watch. I just can’t cope with the freaky stuff.”These word utter from the lips of Barry
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