By all accounts, the V/H/S franchise had reached the end of its tape after the lackluster response to third entry in the series, V/H/S: Viral.
By all accounts, the V/H/S franchise had reached the end of its tape after the lackluster response to third entry in the series, V/H/S: Viral.
While Stuart Gordon’s 80s horror output had the sense of the comic book absurd about them, it seemed like the man wanted to approach the
Sleazy slashers don’t come more notorious than Charles E. Sellier Jr’s gleefully grotty, 1984, seasonal slice ‘n dice, Silent Night, Deadly Night. While a fairly
While being generally of the same, inconsistent, quality of previous V/H/S installments, there was a noticable feeling that the anthology franchise had become somewhat unwound
When embarking on fashioning a sequel, there’s usually two paths you can go down – either do something completely new or honor the original as
Horror has always had it’s more than its fair share of social commentary, but the 70s was it’s own animal entirely. Fueled by the anti-establishment
After the lumpy, deranged antics of Basket Case 3 landed in 1991, the cinematic career of sleeze auteur Frank Henenlotter seemed to have stopped deader
During this unexpected, third age of the slasher movie, we’ve had some impressive variations on the stalk and slash theme that’s managed to differentiate it
Whether you regard the V/H/S franchise as a vital entry in the realms of independent horror, or merely a disposable, failed cinematic experiment, you can’t
During the Stephen King explosion of the 1980s, the majority of the gaggle of filmmakers who lined up to translate the author’s words onto the
When it comes to those cracking fake trailers made for the intermission of Quentin Tarantino and Robert Rodriguez’s failed cinematic experiment, Grindhouse, only Rodriguez has
Hey, remember that time when Eli Roth was being touted around as “the Saviour of Horror”?To be fair, it wasn’t his fault – it just
If the first V/H/S taught us anything is that an anthology movie is chiefly going to be judged on it’s best and worst segments with
For better or worse (mostly better), the effects of Chrstopher Landon’s genre blending Happy Death Day are still keenly being felt as every year now
When it comes to the convyer belt of slapdash sequels that Dimension put out over the years, surely the most frustrating must be their continuation
My distrust at the direct to DVD sequels of the 90s and 00s used to be the hill I would happily die on as the
I always tend to get a little giddy when someone approaches a well traveled horror subgenre in a way that ends up not only pumping
There are few directors who can walk the razor edge of nihilistic despair and goofy comedy quite like Frank Henenlotter, who’s dedication to wittily written
Usually, when you ask someone what their go-to Halloween viewing is, chances are you’ll get something of a varied answer that lies somewhere between John
Not to go all Forrest Gump on you, but anthology movies are kind of like a box of chocolates, insofar that you never know what