When pitching your 80’s, horror comedy into to an insanely competitive genre that includes such gruesomely chucklesome classics as An American Werewolf In London, Evil
Tag: Horror
The Kindred (1987) – Review
In the wake of David Cronenberg’s historically goopy, 1986 reworking of The Fly, the horror genre seemed to stock up on brain bursting bouts example
Tremors: Shrieker Island (2020) – Review
While the landscape has certainly changed since Tremors first surfaced back in 1990, the jocular killer worm franchise has managed to get a lot of
Firestarter (2022) – Review
To make your remake be worthy of the original, meaningful or even just worth an audience’s time, you need a spark to light the fires
Return Of The Living Dead 3 (1993) – Review
Dan O’Bannon’s original Return Of The Living Dead has one of the most interesting tones of any horror films of the 80’s. Mixing dark wit
The Hills Have Eyes 2 (2007) – Review
When compared to that other long running franchise of inbred mutants indulging in their vulgar pastimes with stranded holiday makers, The Hills Have Eyes runs
1408 (2007) – Review
Anyone planning to to adapt a Stephen King story has quite the weight of expectation to match up to, but anyone willing to tackle a
Dead Heat (1988) – Review
The buddy cop movie has had some strange variants over the years with everything including dogs (K9), mom’s (Stop Or My Mom Will Shoot) and
Intruder (1989) – Review
Scott Spiegel – arguably best known to casual movie goers as the dude who is denied a cheeky slice of free pizza in Spider-Man 2
Doctor Strange In The Multiverse Of Madness (2022) – Review
Good God, has it really been nine whole years since Sam Raimi last directed a feature film (the defiantly “ok” Oz The Great And Powerful)
Top 5 Sam Raimi-est Sam Raimi Moments From The Evil Dead Trilogy
NOW we’re getting to the meaty stuff. I recently posted a list of Sam Raimi’s most weird and warped moments that didn’t find their way
Top 5 Sam Raimi-est Sam Raimi Moments NOT From The Evil Dead Trilogy
I know there’s some out there who don’t want to hear it, but there’s more to Sam Raimi than the deranged pleasures of the Evil
Drag Me To Hell (2009) – Review
Over the years, Sam Raimi has been at the bleeding edge of using his movies to torment and torture a surprising array of actors on
Opera (aka. Terror At The Opera) (1987) – Review
If there’s anything that Giallo pioneer and black murder-glove enthusiast, Dario Argento is famous for is overwhelmingly vicious violence and stunningly beautiful visuals, so could
The Hills Have Eyes (2006) – Review
One thing that became fairly noticeable during the glut of horror remakes that peppered the landscape back in the noughties, is that sometimes they lacked
Screamers (1995) – Review
The scribblings of Phillip K. Dick has given the world – and by extension, cinema – some of the most fertile concepts you could ask
Rabid (1977) – Review
A couple of years after he almost singlehandedly shut down the Canadian film industry with Shivers (aka. They Came From Within), canuck king of venereal
The Hills Have Eyes Part II (1985) – Review
The late, great Wes Craven was responsible for some of the greatest horror movies over the span of over thirty years with his fertile imagination
The Hills Have Eyes (1977) – Review
After making the cinema going public of 1972 collectively want to scrub themselves with bleach after the release of The Last House On The Left,
Fresh
Romcoms are a something of a trial for me, so when something comes along to subvert (or even pervert) the usual tropes and cliches I
We Have Issues 