Those confused by the continuing random randomness of Sony Pictures’ Spider-Man business plan aren’t likely to get a clearer view after a viewing of Morbius,
Those confused by the continuing random randomness of Sony Pictures’ Spider-Man business plan aren’t likely to get a clearer view after a viewing of Morbius,
Dario Argento has shown us some undeniably gnarly shit throughout his long and fascinating career of horror films but the jaw dropping visuals he employs
It’s easy to look at The Lost Boys from the (relatively) safe confines of the 2020’s and merely proclaim it as a defining, rollicking, 80’s
Why is it that whenever a filmmaker wishes to lovingly poke fun at the horror genre, it’s invariably the slasher genre that gets singled out
If I were to describe to you a movie where Sandra Oh’s over protective parenting and complicated relationship with her own mother leads to supernatural
After the surprise revival of the Tremors franchise back in 2015, the series seemed to be in the best shape it had been in in
Ti West deserves to be a household name, God dammit.Flirting round the mainstream with patient, brooding horrors like House Of The Devil and The Innkeepers,
Killer bug movies, arachnids in particular, are as sizable a cornerstone of the killer animal movie as sharks and crocodiles and yet the eight-legged bastards
Maestro or misogynist? Those are the two labels that have continously clung to Italian horror master Dario Argento ever since he first started plying his
As I’ve no doubt mentioned before, when a filmmaker attempts to wrestle Stephen King’s books into a filmable format, there’s still always that fact that
You know, it’s easy to write off filmmakers like Lloyd Kaufman simply because the guy decides to load his movies with more smut and bloodshed
Not to be confused with the Dan Brown adaptation that saw Tom Hanks scurrying around Europe with amnesia, Inferno is Dario Argento’s batshit follow up
After 2004’s genuinely sweet, wild west set prequel of part four, it seemed that the Tremors franchise was content to burrow down deep in to
I’ve mentioned the effect Steven Spielberg’s Jaws had on cinema more times than there are fish in the sea, but while the many also-rans and
In my review for that other member of the Grindhouse double bill, Quentin Tarantino’s Death Proof, I briefly laid out the history of his and
There are so many brow-furrowing details attached to the belated, 1972 sequel little-known sequel to 1958 sci-fi camp classic The Blob, that it beggars belief.
For fans of the ferociously alternative output of legendary indie studio Troma, the wait for the second half of their unnecessarily epic Class Of Nuke
From the beginning of his career in 1970 with the stunning and stylish The Bird With The Crystal Plumage, to 1975’s seminal Profondo Rosso (Deep
Ash Vs Evil Dead – Season 3, Episode 10: The Mettle Of ManSo here we are. Poised at the final, final stand of one Ashley
Often consisted the weakest entry in the first four Tremors movies, maybe settling on “Back To Perfection” as a subtitle was hoping for too much.