Maestro or misogynist? Those are the two labels that have continously clung to Italian horror master Dario Argento ever since he first started plying his
Maestro or misogynist? Those are the two labels that have continously clung to Italian horror master Dario Argento ever since he first started plying his
Not to be confused with the Dan Brown adaptation that saw Tom Hanks scurrying around Europe with amnesia, Inferno is Dario Argento’s batshit follow up
From the beginning of his career in 1970 with the stunning and stylish The Bird With The Crystal Plumage, to 1975’s seminal Profondo Rosso (Deep
Not to be confused with Quentin Tarantino’s masterful slice of wartime lunacy (although he did steal and misspell the title as a tribute to this
Original concepts in the horror genre are few and far between these days and the only way filmmakers can seemingly plough into new territory is
I’ve often found it a little frustrating that the old school maestros of Italian horror such as Argento, Bava and Soavi are hailed for their
Known in its native Italy by the equally impressive sounding Profondo Rosso, Dario Argento’s Deep Red is arguably the pinnacle of the sub-genre known collectively
When he wasn’t ripping of Romero (Zombie Creeping Flesh), Rambo (Strike Commando) and Cameron (Shocking Dark), Italian schlock artist Bruno Mattei is probably also famous
Described by it’s own director as the last gasp for Italian zombie gore film, 1989’s After Death doesn’t even warrant that much. Gifted more aliases
Upon reviewing Lucio Fulci’s video nasty classic Zombie Flesh Eaters, I feel like I’ve inadvertently written myself into a corner involving titles. You see, thanks
Once scratched by the ridiculously large talons of a demon, your imminent change into one of the drooling, snarling monsters is pretty fast – that
Two fishermen sit in a boat in the pitch black doing a spot of night fishing chatting to keep their spirits up. As their pointless
Let us mull over the career of Italian horror maestro Lucio Fulci for a second, shall we?The undisputed king of trashy spaghetti splatter, the man
Anyone familiar with the genre cinema of Italy during the 70’s and 80’s know that the filmmakers of that time and place wouldn’t let pesky