Carnosaur (1993) – Review

Dinosaurs are frickin’ cool. There’s no debate there, that’s a recognised fact – so imagine how stoked 90s dino-kids were when they discovered that 1993

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Ghoulies III: Ghoulies Go To College (1990) – Review

When it comes to generating near endless amounts of anarchic chaos, there’s not many genres that can match either the college frat comedy or a

Ghoulies II (1987) – Review

Considering that Charles Band had his eye on the crown of the brand new mini monster sub-genre, you can’t help but think that the prolific

Ghoulies (1984) – Review

“What if the Gremlins worshiped Satan?” is a movie premise that would have most producers running for the hills – most producers that is, except

Hatchet II (2010) – Review

“Mr. Crowley”, sung Ozzy Oborne once “What went on in your head?”. Well, when it comes to the mindset of director Adam Green, is seems

Hatchet (2006) – Review

Before there was Terrifier, there was Hatchet – sort of.Allow me to explain: by the time 2006 rolled around, horror fans were well a truly

TerrorVision (1986) – Review

Satire is tough to pull off, especially if A) you’re in the sci-fi and/or horror genre and B) you aren’t Paul Verhoven, but that doesn’t

Top 5 Crazy Kills Of Jason Voorhees

Over the years, Pamela Voorhees’ baby boy has amassed an eyebrow raising array of kills over the entirety of the Friday The 13th franchise making

Bride Of Re-Animator (1989) – Review

Sequels to genuine horror originals are a predictably mixed bag and surely only a madman would attempt to follow up the late Stuart Gordon’s magnificent

Re-Animator (1985) – Review

Sprinting into the horror genre with all the deranged energy of a cocaine addicted cheetah, Stuart Gordon’s Re-Animator turned heads and stomachs in equal measure

From Beyond (1986) – Review

In the annals of H.P. Lovecraft adaptations, there surely isn’t a movie more fucked up than From Beyond. Oh sure, Re-Animator is fucked up –

Friday The 13th Part VII: The New Blood (1988) – Review

When your franchise is primarily obsessed with introducing pointy, stabby death to anyone in the vicinity under the age of 25, it’s inevitable that audience