The Thomas Crown Affair (1999) – Review

On paper, John McTiernan’s remake of the slick, 1968 crime caper, The Thomas Crown Affair should have provided anything new – I mean, just look

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Maniac (2012) – Review

During an interview held sometime after the release of the 1998, meta sci-fi flick, The Faculty, director Robert Rodriguez stated that he’d love to cast

Road House (2024) – Review

When it comes to “reimagining” (read: remaking) classic films from the 80s, filmmakers wisely stuck close to genres that could translate well to more modern

Death Wish (2018) – Review

Action movies are literally stuffed with main characters taking the law into their own hands and yet most of the time, when a cop has

My Bloody Valentine (2009) – Review

During that era of horror remakes that flooded the genre throughout the 2000s, one thing became abundantly clear, no matter how good each attempt actually

Night Of The Living Dead (1990) – Review

Between the flashy, kick-ass remakes of the 80s and the reboot monsoon that washed throughout the horror genre during 2000s, there lies Night Of The

Piranha (1995) – Review

When I say the words “Pirahna remake”, most people at the bus stop look at me with a mixture of alarm and concern; however, if

True Grit (2010) – Review

The Coen Brothers are probably two most reliable filmmakers working today, but their output during the ’00 was uncharacteristically shakey. Starting the decade off with

Children Of The Corn (2009) – Review

I’m assuming you’re familiar with the old question that if a tree falls in a forest and no one is around to hear it, does

Poltergeist (2015) – Review

If you’re gonna do a remake, you’d better have a point – I mean beyond trying to make money off a recognisable franchise name. While

Rollerball (2002) – Review

I don’t think I’m saying anything too groundbreaking here (hey, when do I ever?), but one of the primary issues with the majority of modern

Death Race (2008) – Review

It’s a common fact that when anyone feels the need to defend the patchy career of Paul W.S. Anderson, they’ll slap a mention of Event

Hellraiser (2022) – Review

While it’s something of an overused statement to declare remakes or reboots as usually acts of art-adjacent corporate greed, even the most cynical horror fan

War Of The Worlds (2005) – Review

There’s nothing more annoying than a movie that looks to be destined for greatness only for it to fall down at the last hurdle thanks

Invasion Of The Body Snatchers (1978) – Review

If I were to ask you to name a movie that’s not only a remake of a black and white classic, but is also a

Assault On Precinct 13 (2005) – Review

When casting an eye across the slew of remakes spawned from the movies of the gaggle of iconic directors who honed their genre craft in

3:10 To Yuma (2007) – Review

Western remakes aren’t exactly new – hell, Howard Hawks himself went out and remade Rio Bravo twice in the form of El Dorado and Rio

The Mummy (1999) – Review

Back in 1999, I remember emerging from the cinema feeling a little nonplussed about The Mumny, Stephen Sommers’ mega budgeted remake of the classic Universal

The Fly (1986) – Review

It’s fitting that David Cronenberg’s fantastically goopy remake of 50’s creature feature contains a central, gradual metamorphosis of a misunderstood genius – after all, The

Shaft (2000) – Review

Back in 1971, Shaft was one of leading lights of Blaxploitation cinema, but you kinda feel that the continuing adventures of the black private dick

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