The Terminal List – Season 2, Episode 1: Romulus S.V. (2026) – Review

Promotional poster for 'The Terminal List' Season Two featuring Chris Pratt, with the tagline 'Somewhere a true believer is training to kill you'.

The Terminal List returns after four years for its second season with the opening episode Romulus S.V. Roughly six months have passed since James Reece completed the list that drove him through a relentless campaign of retribution. He is now the most wanted man alive, drifting alone on a small boat across the Indian Ocean. The physical decline is plain to see. He has lost a great deal of weight and the brain tumour continues to take its toll, bringing hallucinations and a pervasive sense of isolation that the camera captures with understated force. Ben Edwards appears beside him, the friend Reece was forced to kill at the close of the previous season, yet this Ben exists only in Reece’s mind. Their exchanges feel both consoling and deeply unsettling, a constant echo of the betrayal that ended the earlier chapter and present a man still at combat with his own mind.

A person adjusting the sails on a sailboat while the ocean stretches out in the background under a clear blue sky.
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A severe storm threatens to end the journey altogether, yet Reece survives and finally makes landfall at Pemba in Mozambique after 240 days at sea. Once ashore he seeks information about Rich Hastings, who owns a hunting reserve in the area. This quiet inquiry begins to bring Reese back into the large world of the franchise, calling back to the two previous series. Arnold Vosloo appears as Rich Hastings and brings a weathered, authentic presence that sits comfortably into this world.

While Reece struggles across the ocean, events elsewhere move with far greater urgency. In London a terrorist named Amin al-Nawaz, operating under the banner of a resurgent al-Qaeda, orchestrates an attack on a Christmas market. A bomb detonates in the midst of the festivities and armed gunmen then open fire on the fleeing crowds. The resulting massacre leaves 113 people dead and sends shockwaves through intelligence agencies across the world. It’s a grim scenetha focuses on the sudden chaos and the human cost rather than on slick action. At the same time Capstone, the company central to the first season’s conspiracy, has already paid out a substantial settlement of 380 million dollars to the families of the fallen SEALs, a detail that underlines how the corporate and political consequences continue long after Reece’s private war has concluded.

A man with a beard and curly hair stands in a cabin, looking thoughtful. He is wearing a blue t-shirt and appears to be deep in concentration, with his fists clenched.
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Katie Buranek, played again by Constance Wu, finds herself with a new problem. The notoriety that followed the publication of Reece’s story has become more hindrance than help. She navigates a bleak media landscape while trying to hold on to her professional standards. Her path intersects with rising geopolitical tension when she is approached by a man named Vasili Adrenov who speaks of peace between Russia and Ukraine and shows interest in the news organisation she works for. The encounter quickly turns dangerous. In the episodes best scene, a convoy is ambushed by an explosive drone, leaving Katie and Adrenov’s assistant, Yana, injured and killing a NATO commander. The attack escalates the sense of international crisis. The episode also brings Mohammed “Mo” Farooq back into view as the drone operator, a former Iraqi Special Operations Forces officer now aligned with Amin’s network, tightening the links to earlier chapters of the franchise.

The premiere deliberately chooses a measured pace. Instead of plunging straight into sustained action it concentrates on establishing the new reality. Reece is no longer propelled solely by revenge. He is ill, hunted and searching for some form of purpose after having exacted justice. Chris Pratt returns to the role with the same physical commitment and quiet intensity that marked the first season. The visible effects of the tumour and the weight loss make Reece appear more fragile and more human, which only raises the stakes as intelligence agencies begin to turn their attention toward him.

The episode carefully reconnects the main series with characters and themes from the prequel. Raife Hastings is referenced through the family reserve, and Mo Farooq’s presence signals that old alliances and old wounds will matter. These connections are allowed to emerge naturally through Reece’s research and through the CIA investigations taking place half a world away.

A man in a black jacket and scarf stands against a brick wall, looking at his phone while people walk and interact in a festive market scene. Bright lights and decorations create a lively atmosphere.
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There is a clear sense that the season is shifting its focus. Where the first season was a tightly focused revenge story, this opener suggests a broader canvas involving terrorist networks, diverted weapons and questions of loyalty that stretch from Mozambique to London and beyond. The introduction of new threats does not reduce the personal stakes for Reece. His health remains precarious, his freedom non-existent and his future uncertain. The Agency’s growing interest in him as a possible asset against the emerging al-Qaeda threat is set up as the main thrust of the season.

The performances are consistently strong. Pratt conveys exhaustion and residual fury without overplaying either. Kitsch, even in limited screen time, brings the same charisma and edge that made Ben Edwards compelling. Constance Wu continues to give Katie a sharp intelligence and moral centre that keeps her from becoming a mere plot device.

Romulus S.V. works as a careful reset. It acknowledges the events of the previous season without becoming trapped by them. Reece’s list is finished, but the consequences of completing it are only beginning. The episode balances character study with the first stirrings of a larger conspiracy, planting seeds about weapons, former allies and the cost of unfinished business. It does not deliver constant set pieces, yet the few moments of violence that do occur carry genuine impact. The focus remains on a man trying to survive long enough to decide what comes next, while the world around him grows more unstable by the day.

Close-up of an older man with a beard and a wide-brimmed hat, smiling softly during a conversation outdoors.
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By the time Reece reaches Mozambique and begins looking into the Hastings family, the stage is set for a story that feels both familiar and expanded. The personal and the political are once again intertwined. Old faces from the prequel hover at the edges, ready to step fully into the frame. The result is a premiere that prioritises atmosphere, character and careful world-building over immediate fireworks. The Terminal List has always excelled at showing the human cost of special operations and the shadowy decisions made far above the men who carry them out. This opening chapter continues that tradition while opening the door to a new and potentially more complex mission.

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Where to watch The Terminal List – Season 2, Episode 1: Romulus S.V.:

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