Genre mashing is one of the greatest things there is about genre cinema – a cinematic practice of squishing different types of movie together to
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Land Of The Dead (2005) – Review
Twenty years after the sun went down on George A. Romero’s 1985 zombie epic, Day Of The Dead, fans had anxiously been awaiting to see
Midway (2019) – Review
There’s a saying that goes: those who do not learn from history are doomed to repeat it. It’s a wise saying as sayings go and
Battleship (2012) – Review
Thanks to the truly biblical stacks of cash hauled in by Michael Bay’s flashy, trashy Transformers movies, toy company-cum-movie studio Hasbro obviously had the stench
Prophecy (1979) – Review
Eco-horror is possibly one of the stranger off-shoots of a genre that’s pretty strange to begin with, that boasts a pantheon of various, wonky releases
Sleepwalkers (1992) – Review
Before both Frank Darabont and Mike Flanagan showed up on the scene, luxuriously named Mick Garris was the mac daddy when it came to adaptations
His House (2020) – Review
Horror movies throughout the passages of time have prided themselves on reflecting the prevalent social issues of the moment – be it The Texas Chainsaw
Battle: Los Angeles (2011) – Review
In the years since Independence Day cornered the market on crowd pleasing, flag waving alien invasion movies it seems that Hollywood has been trying to
Warrior King (2005) – Review
In the world of martial arts cinema, it’s often interesting to compare the differing styles of face breakage displayed via the same opponents that may
The Night Comes For Us (2018) – Review
After the Indonesian film industry got a shot in the arm (and face, and chest) thanks to Gareth Evans towering The Raid series, it seems
Labyrinth (1986) – Review
If I’m being totally honest, I’ve always been more of a Dark Crystal kind of guy myself… not to put the boot into Labyrinth –
Fright Night (1985) – Review
Isn’t it remarkable how much the ravages of time can add or take away to a film – let’s take colourful vampire adventure Fright Night
Trick Or Treat (1986) – Review
Whenever I cast an eye over the expansive sub-genres that horror movies have managed to cover since the dawn of film, one question always rises
Inhuman Kiss (2019) – Review
When weighing up the pros and cons of streaming movies vs physical media I always find myself staring at my DVD and Blu Ray laden
Zombie Flesh Eaters (Aka. Zombi 2) (1979) – Review
Let us mull over the career of Italian horror maestro Lucio Fulci for a second, shall we?The undisputed king of trashy spaghetti splatter, the man
Five Elements Ninjas (1982) – Review
It’s once again time to take another flamboyant trip to ancient Hong Kong to witness bursts of athletic violence interspersed with an over complicated plot
Demolition Man (1993) – Review
There’s a theory I have and it’s quite new – not to mention fairly out there – but stay with me…What if Cobra, Demolition Man
Cobra (1986) – Review
Made when we were coasting through that period of Stallone’s career where he was convinced he could clear up the Cold War by either punching
Akira (1988) – Review
Back in the swirling mists of the 90’s, the burgeoning force known as Anime finally broke over into the UK and a teenage me started
Saint Maud (2020) – Review
Indie distributor A24 has been carving quite the impressive path throughout this golden age of the rather ill-defined sub-genre known as “thoughtful horror”, giving such
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