Yep, it’s Netflix premiere time again as the ubiquitous streaming giant casts another disposable action flick into the void and crosses their collective figures that
Tag: 2020s
Hoppers (2026) – Review
Has anyone felt that Pixar has gotten just a bit too safe these days? I don’t know whether it’s because their original movies are nowhere
Birth/Rebirth (2023) – Review
You can fling all the ghosts, ghoulies and gore at the screen you want, but the things that tend to stay with us the most
Sniper: The Last Stand (2025) – Review
Regardless on your feelings regarding the seemingly unkillable Sniper franchise, you have to admit that for a cinematic series that most people don’t even realise
Scream 7 (2026) – Review
While the rampage of yet another Ghostface always manages to cause sufficient damage among the cast of a Scream movie, Scream 7 seemed to be
The Bluff (2026) – Review
Usually when a subgenre noisily returns from Davy Jones’ locker to hijack the box office, we tend to see copycats spring up all over the
Good Luck, Have Fun, Don’t Die (2025) – Review
The use of AI in everyday culture is increasing rapidly to the point where it’s virtualy omnipresent and the concern that many are expressing is
Cold Storage (2026) – Review
Because I’m such an immature child at heart, I must confess I have a weakness for goopy, gross, horror/comedies that prop their jokes up with
Crime 101 (2026) – Review
I’ve been down this particular avenue before, but when it comes to constructing a complex, crime epic, all attempts inevitably drop to their knees and
Whistle (2025) – Review
No matter the decade, it seems that high school kids just can’t stop themselves getting embroiled in supernatural shenanigans that shorten their lifespan exponentially. But
“Wuthering Heights” (2026) – Review
The classics are classics, and time shall not wither them – however, that doesn’t mean that filmmakers aren’t going to come along with every new
The Strangers: Chapter 3 (2026) – Review
While I believe that ambition should be applauded in the realms of franchises, it’s ultimately how filmmakers express their aspiring ideas that actually results in
Send Help (2026) – Review
From the days of Daniel Defoe’s Robinson Crusoe, the notion of having to survive on a picturesque, but ultimately lethal island has enticed various storytellers
Coyotes (2025) – Review
Cinema’s thirst for co-opting and demonising everything in the animal kingdom that walks, crawls, swims or slithers and turning them into voracious engines of man
The Wrecking Crew (2026) – Review
Sometimes I worry that crafting the big dumb action movies of decades past has become something of a lost art. In my youth I revelled
Marty Supreme (2025) – Review
Isn’t it strange when a film is misrepresented by its own advertising? For example, I’m not sure what movie I was expecting when I finally
Shelter (2026) – Review
As of late, Jason Statham seems to be on something of a tear. Whether you actually dig his particular brand of ass-kickery, one of the
Iron Lung (2026) – Review
Video game adaptations usually occur when the game in question has more than their share of expansive action. From the colourful world of a speed
Sniper: G.R.I.T. – Global Response & Intelligence Team (2023) – Review
Sometimes it’s fascinating to see how far away some franchises get from its original movie. Take the Fast & Furious series as an excellent example;
Mercy (2026) – Review
I’ve always considered myself fairly open to new filmmaking techniques. Be it the rise of digital animation, the flood of found footage movies, the return
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