The Man In The Iron Mask (1998) – Review

Be it via the numerous film versions that have some down the pipe over the years, or even from diligently watching every episode of Dogtanian

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Nausicaä Of The Valley Of The Wind (1984) – Review

Everything has to start somewhere, and in the case of life-enriching animation house, Studio Ghibli, it began on the winds of a post apocalyptic future.

Porco Rosso (1992) – Review

If I’m being totally honest, I didn’t really appreciate the full spectrum of animation coming out of Japan, back in the younger years. While I

Hoppers (2026) – Review

Has anyone felt that Pixar has gotten just a bit too safe these days? I don’t know whether it’s because their original movies are nowhere

The Bluff (2026) – Review

Usually when a subgenre noisily returns from Davy Jones’ locker to hijack the box office, we tend to see copycats spring up all over the

Outlander (2008) – Review

Doesn’t it feel sometimes that concocting a screenplay feels like someone frantically trying to invent a brand new cocktail from scratch? The act of throwing

Tarzan And The She-Devil (1953) – Review

And so with his fifth entry, Lex Barker set aside his loin cloth and vacated the role of Tarzan once and for all. But while

Tarzan’s Savage Fury (1952) – Review

As we start to reach the end of Lex Barker’s swing as the constantly bare chested jungle lord, it was starting to feel like all

Sky Captain And The World Of Tomorrow (2004) – Review

Nestled somewhere between the CGI sets of George Lucas’ Star Wars prequels and the green screen artistry of Sin City and 300, lies Sky Captain

The Phantom (1996) – Review

OK, for a start, I don’t know who the Hell thought “Slam Evil” would be a viable tagine for a tentpole superhero – it would

John Carter (2012) – Review

Originally titled John Carter Of Mars and not to be confused with John Carpenter Of Mars (which technically would be Ghosts Of Mars), Pixar’s Andrew

Jurassic World: Rebirth (2025) – Review

Remember when we used to wait longer than three years to reboot a franchise? OK, so maybe reboot is a bit much, but even in

Tarzan And The Slave Girl (1950) – Review

I wonder if the writers of the old Tarzan films ever panicked when asked to pen yet another adventure featuring Edgar Rice Burroughs’ rippling muscled

Fountain Of Youth (2025) – Review

Does anyone else feel like Guy Richie isn’t really trying much anymore?That’s not to take a cheap shot at a director who not only was

Tarzan’s Magic Fountain (1949) – Review

After ditifully wearing Tarzan’s all purpose loin cloth for an impressive twelve movies, it eventually became time for Johnny Weissmuller to catch the next vine

Tarzan And The Great River (1967) – Review

If there was a noticable flaw with Mike Henry’s tenure as Edgar Rice Burroughs’ lion grappling, vine travelling adventurer, is that his trio of Tarzan

Greystoke: The Legend Of Tarzan, Lord Of The Apes (1984) – Review

Since his inception, Tarzan has been primarily the personification of a pulp adventure hero with such actors such as Johnny Weissmuller, Gordon Scott and the

Armor Of God (1986) – Review

To say that Jackie Chan was something of a big deal in the mid-eighties was something of a understatement. While it may be tough to

Tarzan’s Fight For Life (1958) – Review

After wading through a fair few classic Tarzan movies as a result of reviewing them for this site, I’ve come to the conclusion that there’s

Vertical Limit (2000) – Review

Martin Campbell has something of an impressive record when it comes to bringing back faded actioners to their former glories. After all, not only did

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