Whisper Of The Heart (1995) – Review

When it comes to Studio Ghibli – or its early days, at least – it’s always tempting to think of it as mainly a two-man

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Pom Poko (1994) – Review

Up until this point in Studio Ghibli history, you could count on three things – the first was that it was painfully clear that the

Only Yesterday (1991) – Review

Just because your motion picture is made up of thousands upon thousands of individually hand-drawn pictures, it doesn’t mean you can’t be subtle with the

Kiki’s Delivery Service (1989) – Review

By the end of the 80s, Studio Ghibli was cooking, creatively speaking, but was still finding it tough to get the appropriate amount of traction

Grave Of The Fireflies (1988) – Review

In the realms of animated history, it’s become common knowledge that Pixar has an unerring ability to leech salty tears from from even the most

My Neighbour Totoro (1988) – Review

While animated films are usually undefeated when it comes to delivering magical, impossible worlds, delivering magical, impossible worlds is just another weekday to the vibrant

Castle In The Sky (1986) – Review

You’d think that when starting a brand new animation house, you’d want to come up with something as fiercely original as you possibly could to

Nausicaä Of The Valley Of The Wind (1984) – Review

Everything has to start somewhere, and in the case of life-enriching animation house, Studio Ghibli, it began on the winds of a post apocalyptic future.

Porco Rosso (1992) – Review

If I’m being totally honest, I didn’t really appreciate the full spectrum of animation coming out of Japan, back in the younger years. While I

Redline (2009) – Review

The beauty of Anime is that you can present a world effortlessly more exagerated than the ones we usually see in live action. Any sense

Urotsukidōji II: Legend Of The Demon Womb (1991) – Review

Whether you like it or not, it’s time to skinny dip once again into the gnarlier end of the Anime pool where all sorts of

Ghost In The Shell 2: Innocence (2004) – Review

The Anime of Ghost In The Shell was always going to be a tough act to follow, but when it comes to the near-impenetrable world

Steamboy (2004) – Review

Back in 1988, anime director Katsuhiro Otomo established himself as one of the genre’s primary visualists thanks to the herculean accomplishment that was Akira, a

Golgo 13: The Professional (1983) – Review

While the natural state of an animated movie from Japan is to use it’s near limitless medium to concoct wild, fantasy worlds, or grim dystopian

Ghost In The Shell (1995) – Review

While Ridley Scott’s Blade Runner seemingly delivered the first and last word in rainy, dystopian futures where everyone is having an existential crisis about their

Lensman (1984) – Review

Chances are, if you’re from an older generation, you’ve probably been affected (or infected as the case may be) by Anime long before you ever

Vampire Hunter D: Bloodlust (2000) – Review

Back in 1985 the Anime world introduced us to the derranged gumbo of influences that made up the utterly bonkers concept behind Vampire Hunter D.

Venus Wars (1989) – Review

The issue of style over substance is something that is just as highly subjective to an individual moviegoer as comedy, or what kind of horror

Perfect Blue (1997) – Review

Those who don’t tend to dip their toes frequently in the pool of endless possibilities that is Anime tend to write the majority of it

Vampire Hunter D (1985) – Review

Throughout the early 80s, Anime as we knew it was more directed at families, or animated series airing on television; but in 1985, one of

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