Beowulf (2007) – Review

Hey, anyone else remember that period when Robert Zemeckis vowed to only to make films utilising motion capture? That was kinda weird, right? I mean,

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D-war (2007) Review

We now live in a time where Asian movies can match up to the rest of the world when it comes to cinematic spectacle, but

Practical Magic 2 (2026) – Review

Back in 1998, Practical Magic appeared on the scene to give the whole witch=sisterhood thing an unfeasibly cozy makeover that – to many – acted

Practical Magic (1998) – Review

There’s something about a coven of witches that seemingly suggests that 90s era, supernatural sisterhood is a can’t-miss recipe for cult immortality. First, there was

Mother Mary (2026) – Review

Much has been made about the desire to perform art at a certain level and the cinematic effects fame and talent can have on the

Whisper Of The Heart (1995) – Review

When it comes to Studio Ghibli – or its early days, at least – it’s always tempting to think of it as mainly a two-man

Waxwork II: Lost In Time (1992) – Review

Do you know, I’d almost forgotten that Waxwork even had a sequel? After checking back through this site’s records, it seems that I’d certainly forgotten

Coyote Vs. Acme (2026) – Review

There are a fair few words that can be used to describe Wile E. Coyote, the hapless, Looney Tunes foil to the speedy Roadrunner. Accident

Who Framed Roger Rabbit (1988) – Review

In conversations concerning the best example of cinematic world building ever seen, Who Framed Roger Rabbit shouldn’t just earn a sizable mention, it should be

The Valley Of Gwangi (1969) – Review

Sometimes, all you need is a good, old fashioned, classic mash up of polar opposite genres to really wake you up and and if the

The Odyssey (2026) – Review

It seems like Christopher Nolan has always been drawn to men playing gods. If it isn’t Batman and his rogue’s gallery trying to bend the

Troy (2004) – Review

Once Ridley Scott’s Gladiator threw open the door of possibilities and revived the expired sword and sandals epics that used to populate the cinema of

Immortals (2011) – Review

In 2006, Zach Snyder’s adaptation of Frank Miller’s 300 seemed to be the last word in giving Greek history/myth a phantasmagoric, visual, glow-up that seemed

Hercules (2014) – Review

Have you ever entered a movie with such strong preconceptions that you’ve already convinced youself that you’re going to hate every single second of it?

Priest (2011) – Review

Sometimes your first instinct is bang on the money. Based on a Korean comic book I’ve never read which was in turn based on a

Pom Poko (1994) – Review

Up until this point in Studio Ghibli history, you could count on three things – the first was that it was painfully clear that the

Masters Of The Universe (2026) – Review

Nostalgia can be a dangerous thing. Take the adapting of Masters Of The Universe for example, the epic, 80s toy line that not only blossomed

He-Man And She-Ra: The Secret Of The Sword (1985) – Review

Oh man, remember when feature length toy adverts that you actually had to pay to see were all the rage? Obviously I’m teasing a little

Conquest (1983) – Review

While Lucio Fulci is primarily known for his works within the realms of lurid, censor baiting horror films such as Zombie Flesh Eaters, The Beyond

Starchaser: The Legend Of Orin (1985) – Review

It’s the mid-eighties and with the sound of an exploding Death Star and celebrating Ewoks, the Star Wars Trilogy has come to an end with

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